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一、两晋南北朝时期对于山水画空间的初期探索虽然晋朝时期,山水的描绘水平颇显不足,但是对于山水画的研究已经开始了。顾恺之的《画云台山记》就是一篇研究和总结怎样画山水画、怎样处理山水画中空间问题的文章。例如文章写道“凡天及水色,尽用空青,竟素上下以映”这句话的意思是,画天和水面应该用青色,所谓水天一色。又如“下为涧,物景皆倒作”这句话是说在画水面时应该把水中的倒影画出来。在绘画技法、绘画流派五花八门令人目不暇接的现代,
One, two Jin and Southern and Northern Dynasties for the initial exploration of the space for landscape painting Although the Jin Dynasty period, the level of landscape painting is rather insufficient, but the study of landscape painting has begun. Gu Kaizhi’s “Painting Yuntaishan Ji” is an article that studies and summarizes how to draw landscape paintings and how to deal with the space problems in landscape painting. For example, the article states that “Heaven and water color, make the best use of the sky, and the quality of the image” means that the painting day and the water should use cyan, the so-called water and sky. Another example is “under the streams, things are inverted” is saying that when drawing the water should be painted in the reflection of the water. In the painting techniques, painting a wide variety of dizzying modern,