在当代台湾地区诗歌这一错综复杂的权力场域中,围绕着台湾现代化进程中西方与中国关系的问题,不同时期、不同地理出身的台湾诗人展开了一次又一次的争夺符号权力的斗争。20世纪50—60年代,纪弦等一些台湾前行代外省诗人在极为推崇诗歌的“超现实性”“独创性”和“纯粹性”的特性的同时,也使台湾现代主义诗歌走入了一条重视西方文化,忽视现实、忽视民族文化的道路。由此,台湾新诗场域中的西方文化资本与中国文化资本的拥有者之间的不平等产生了。而正是这种权力的压抑性,导致了20世纪70年代台湾新世代诗人对它的质疑与竞争权力模式的产生。也就是说,正是西方现代性中暗含的东方主义意识和台湾一些前行代诗歌中的自我东方主义倾向,激发了台湾新世代诗人强烈的民族情感。一般认为,20世纪70年代末期以来,台湾新世代本土作家总体上由推崇乡土意识转向推崇台湾意识。而事实上,20世纪70年代末期以来台湾新世代本土诗人的民族认同虽然出现过偏离和困惑的问题,但大体上而言,它是循着由感性认同向感性与理性结合的认同轨迹和方向发展的。 In the area of ​​intricate power of contemporary Taiwan poetry, Taiwan poets who came from different geographies at different times revolved the struggle for symbolic power again and again around the issue of the relationship between the West and China in the process of Taiwan’s modernization. In the 1950s and 1960s, some of Taiwan’s foreigners, such as Ji Xian and some other ancient Chinese poets, greatly influenced the characteristics of “surrealism,” “originality,” and “purity,” of poetry, Modernist poetry has entered a path of attaching importance to Western culture, ignoring reality and neglecting national culture. As a result, inequalities between the western cultural capital in Taiwan’s new poetry field and the owners of Chinese cultural capital came into being. It is precisely this repressive nature of power that led to the emergence of a challenge model and competing power model by Taiwan’s new generation of poets in the 1970s. That is to say, it is precisely the Orientalist consciousness implied in Western modernity and the tendency toward self-Orientalism in some of Taiwan’s predecessor poems, which have inspired the strong national feelings of Taiwan’s new generation of poets. It is generally believed that since the late 1970s, Taiwan’s new generation of native writers have generally shifted their emphasis on praising Taiwan’s consciousness by resisting local consciousness. In fact, although there has been a problem of deviation and confusion in the national identity of Taiwan’s new generation of native poets since the late 1970s, in general terms, it follows the path of identification and orientation of perceptual and rational integration through perceptual identity Developed