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第十一讲:相同字书法创作中的相同字处理,是每位书家都会遇到的问题。最广为人知的,是王羲之《兰亭序》中的21个“之”字,各有姿态,富于变化。因此,当普通书写上升为书法艺术,为丰富空间形式和节奏变化,书手在书写中会努力在笔法、结字等方面匠心经营,以期在看似平淡的书写中有所超越。这一现象,在行草书中表现得尤为突出。相同字书写,要处理好几个矛盾:如上所说,一是避免重复,但寻求变化的同时又不可刻意,要以自然为旨归,否则会有造作之嫌;另一方面,要兼顾通篇的整体和谐,无论是笔
Lecture 11: The same word processing in the same type of calligraphy is a problem that every one of the calligraphers will encounter. The best known is the 21 “” characters in Wang Xizhi’s “Orchid Pavilion Preface”. Each has its own posture and is full of changes. Therefore, when ordinary writing goes up to calligraphy, in order to enrich space and rhythm, writers will try their best in writing, writing and other aspects of writing, in order to seemingly plain writing beyond. This phenomenon, in the cursive script is particularly prominent. To write in the same language, we must deal with several contradictions. As mentioned above, we should avoid repetition but at the same time we should seek change without sacrificing the purpose of nature. Otherwise, we will have to make controversy. On the other hand, The overall harmony, whether it is a pen