工笔人物画自古以来在中国画坛就有着辉煌灿烂的地位,从上世纪70年代长沙马王堆汉墓出土的人物帛画,一直到当代日臻繁荣、百花齐放的工笔人物画展,工笔人物画犹如是一颗耀眼的明珠,在我国绘画史上不断闪耀着动人的光芒。工笔人物画主要表达的对象是人物,那么就需要创作者对人物的外在形象和思想情感都有深刻的了解,把绘画技法也上升到一个新的高度,有思想、有内涵的创作者就不一样,正如大卫林奇所说,想捉大鱼,得“潜入深渊”。 Meticulous portrait painting has enjoyed a splendid and splendid position in Chinese painting since ancient times. From the portrait paintings of the Mawangdui tomb in Changsha in the 1970s, it has been until the modern, prosperous and flourishing figure painting exhibition that the sketchbook figure is like a dazzling Pearl, in the history of painting in our country constantly shining moving light. Meticulous portrait painting is the main object of the characters, then you need creators of the external image of the character and thoughts and emotions have a deep understanding of the painting techniques also rose to a new height, thinking, there is content on the creator Not the same, as David Lynch puts it, trying to catch a big fish has to “dive into the abyss.”