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本文原载1987年5月号《东方》(Orientations)18卷第五号(东方艺术收藏家和鉴赏家月刊).文中所举的实例取自TopkepiSaray博物馆,并与《本草纲目》中的花卉图案相对照,此为文章的第一部分.本刊刊用时有删节.在描述艺术品图案时,人们往往面临对其识别的问题,因为对自然客体的描绘随艺术家本人及其绘画的手法和一般风格学的结构而变化.当作者在伊斯坦布尔(由Sothcby’s出版社用同样标题发表,1986;见Orientations杂志1986.11
This work was originally posted on the fifth volume of Orientations Volume 18, Issue 5, Oriental Art Collectors and Connoisseurs Monthly, May 1987. The examples given are from the Museum of Topkepi Saray and are associated with the flower motifs of the Compendium of Materia Medica In contrast, this is the first part of the article.The publication is sometimes abridged.During the description of artwork, people often face the problem of its identification, because the description of the natural object with the artist himself and his painting techniques and general style The structure of learning changes when the author is in Istanbul (published by Sothcby’s with the same title, 1986; see Orientations, 1986.11