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随着商品经济的迅猛发展,中国整体社会文化氛围日益显露出消费文化的特征。这种文化氛围在对艺术的存在状况发生巨大影响的同时,也构成艺术作品意义生成的现实语境。目前,学界对消费文化已有较深入的研究,剖析了消费文化情境中人们价值观、审美观与生活方式的种种变化,这种变化必然会导致人们对传统的与现代性的美术作品的看法与要求产生许多新的转变,而这种看法与要求又会促使美术的存在方式、作用与价值在此新的文化境遇中出现种种新的动向,探究这些变化中的问题应成为美术理论研究的新课题。本期选登了几篇有关这方面问题的文章,希望能引发美术理论界进一步思考和争鸣。
With the rapid development of the commodity economy, the overall social and cultural atmosphere in China has increasingly revealed the characteristics of consumer culture. This kind of cultural atmosphere has a great influence on the existence of art, meanwhile, it also constitutes the realistic context of the meaning of artistic works. At present, the academic circles have done a more in-depth study of consumer culture, analyzed various changes in people’s values, aesthetics and ways of life in the context of consumer culture. Such changes will inevitably lead to people’s views on traditional and modern works of art. Many new transformations are required, and such views and requirements will prompt new ways, functions and values of the art in this new cultural situation to explore new issues in these changes and should become the new theoretical study of fine arts Question. Selected articles published in this issue several articles on this issue, hoping to cause the art theory community to further think and contention.