题跋在中国古代绘画艺术中占有很重要的地位,具有悠远的历史。题跋既是文字书写的具体内容,也是文字书写的特定形式。狭义的绘画题跋指的是作品本幅上书写的文字。广义的绘画题跋指的是本幅以及隔水、引首、拖尾、贉首等其他部分上书写的文字。本专题所使用的是广义的绘画题跋概念。绘画题跋既是著作权的体现,也是画面构图的一部分;既是创作过程的纪实,也是作者心境的抒发,既是内容和流传的考证,也是艺术水平的鉴赏。绘画题跋在有宋一代臻于完善,画面文字逐渐摆脱附庸地位而成为画面的主体。此后文字画面化成为古代绘画演变的基本动力之一。古代绘画 Titles in ancient Chinese painting art occupies a very important position, with distant history. The inscription is not only the specific content of writing, but also the specific form of writing. The narrow title of the painting refers to the writing on the painting. In a broad sense, the title of a painting refers to the text and words written on other parts of the banner, such as water seals, lead marks, tailings, and hatchets. This topic uses a broad concept of painting inscriptions. Painting title is not only the embodiment of copyright, but also part of the composition of the screen; not only the documentary of the creative process, but also the author’s mood to express both content and spread of the textual research, but also artistic appreciation. Painting inscriptions in the Song Dynasty reached perfection, the screen text gradually get rid of the vassal position and become the subject of the screen. Since then, textualization has become one of the basic motives for the evolution of ancient paintings. Ancient painting