一缘起在全球化趋势下,对各国文化趋同而导致各民族文化特征消失的焦虑,经过文化学者的警惕慢慢有所缓解。在高速发展的今天,东方设计语言如何去展示其民族、地域文化,无非是其民族、地域文化与其他民族有何不同之处或其民族、地域文化优势是什么。这是当下在文创研究语境下的设计师们应该思考的问题,也是东方智慧的当代显现——如何让世界,更确切地说让西方重新认识来自东方、来自中国的设计,感受这些设计作品的魅力,这 Since the origin of globalization, anxieties about the disappearance of cultural features of various nationalities due to the convergence of cultures in all countries have been eased up slowly by the vigilance of cultural scholars. In today’s rapid development, how the oriental design language can demonstrate its nationality and regional culture is nothing more than the difference between its nationality, regional culture and other ethnic groups or its ethnic and regional cultural superiority. This is a question to be considered by contemporary designers under the context of cultural and creative studies. It is also a contemporary manifestation of oriental wisdom - how to make the world, or rather, design and design of designs from the East and from China, The charm of this work