探求新石器时代陶器装饰纹样的含义,是一个引人入胜的课题。然而由于时代相隔玄远,又缺乏文献资料的旁证,往往言人人殊。在多种多样的装饰母题中,可以推定其中许多具有神秘的宗教含义。但古人并不总是板着脸,他们手中偶尔也会有一些轻松活泼、富有个性的创作,如在盛水的陶盆内装饰一尾两尾游鱼,风吹水皱,恍然如生,有意无意间透露出作器者的一波心潮。那种一见动物形象,则言必称图腾的解读,未免过于简单化和学究气。 To explore the Neolithic pottery decorative patterns meaning, is a fascinating subject. However, due to the age of Xuan Yuan, but also the lack of documentation of circumstantial evidence, often very different. Among the many decorative motifs, it can be assumed that many of them have a mystical religious meaning. However, the ancients do not always have their faces on their faces. In their hands, they occasionally have some relaxing and lively creations. For example, a tail-tailed fish finishes in a pottery bowl full of water, Intentionally or unconsciously revealed a wave of wave of those who make. The kind of animal image at first sight, it must be said that the interpretation of totem, it is too simplistic and learning.