本文从中国文学的传统、当代文艺创作思想以及浪漫主义文学的特点等方面出发,将孙红侠改编的黄梅戏剧本《画皮》与《聊斋志异·画皮》、陈嘉上电影《画皮》进行比较分析,认为孙的戏曲在新的时代条件下同样讲述了一个新的“画皮”故事:它以“人”与“人性”的道德修炼讲述了一个道德训诫的故事;它以“妖”与“妖性”的爱情救赎讲述了一个爱情传奇;它以“神”与“神性”的理想升华讲述了一个浪漫寓言。 Starting from the tradition of Chinese literature, the thought of contemporary literary and artistic creation and the characteristics of romantic literature, this article makes a comparative analysis of Huang Pei’s script “Painted Skin”, “Strange Tales of Liao Studio” and Chen Jiashang’s movie “Painted Skin” The drama also tells a new “Painted Skin” story under the conditions of the new era: It tells the story of an ethical admonition in the moral practice of “people” and “human nature”; it uses “ ”And “ demon ”love redemption tells a love legend; it tells a romantic fable with the ideal of“ god ”and“ divinity ”.