编导一体化体制自上世纪90年代以来,普及应用于先锋话剧的做戏方式中。孟京辉以及林兆华在重构经典中明确了导演的主导地位,牟森则借助于“变演为做”的实践变成了渐行渐远的孤独“先锋”。该体制彰显了导演的意志以及舞台协调作用,不过同时也变成了“剧本荒”问题的核心根源。对于原本就缺乏原创力度的现代话剧而言,可谓是一要害。 Since the 90s of the last century, the system of director-director integration popularized and popularized the way of acting in pioneer drama. Meng Jinghui and Lin Zhaohua in the reconstruction of the classic clear the director’s dominant position, Mou Sen Ze help by “change to do ” practice becomes a lonely “vanguard ”. The system shows the director’s will and stage coordinating role, but it also becomes the core cause of the “script shortage” issue. For the original lack of original modern drama, it can be described as a key.