本文从艺术的角度对明代陈老莲作的木刻《水浒叶子》和日本浮世绘画家歌川国芳作的《水浒豪杰百八人系列》进行了作品比较,分析了两人的风格特点和绘画技巧,进而阐述了一些有关中日文化,市井文化以及文人精神等问题的观点。 This article compares the works of “Water Margin” and the “Water Margin Hundreds of Eight” series made by Chen Laolian, the woodcut of the Ming Dynasty and the Japanese ukiyo-e artist Uewacho Kunihiro, and analyzes their style and painting skills. Then elaborated some opinions about the Sino-Japanese culture, market culture and literati spirit and other issues.