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从20世纪四十年代解放区至十七年一脉相承的女性小说中,“父/女”格局的设置使“母性”命题重新退回到传统母性神话中去;但伴随着八十年代中后期西方女性主义思潮的翻译和介入,以及国内文化形势的变化、热点的转移,重新整理和阐发对“母亲”、“母性”、“母女关系”、“母系血缘”的理解,成为女性小说中恒定的母题。创作者自身经历、文化背景构成和创作主导倾向的不同,使得对这一命题的表现呈现出前所未有的深化和多元共生的局面,而尤以张洁、铁凝、陈染为具有典型意义的代表。
In the novels of the same strain from the Liberated Areas to the 17 years from the 1940s, the establishment of the pattern of “father / daughter” made the proposition “motherhood” back to the traditional motherhood myth; however, The translation and intervention of western feminist ideology in the later period, as well as the change of domestic cultural situation, the shift of hot spots, the reorganization and elucidation of the relationship between “maternal”, “motherhood”, “mother-daughter relationship”, “maternal bloodline ”, Become a constant motif in female novels. The differences between the author’s own experience, the composition of the cultural background and the predominant tendency of creation lead to an unprecedented deepening and multiple symbiosis of the performance of this proposition, and especially the typical representatives of Zhang Jie, Tie Ning and Chen Ran .