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出现于浪漫主义晚期的传统现代主义音乐的音乐家开始创作出脱离古典主义音乐形式的音乐作品,音乐的创作不再采用特定的音乐曲式结构,但仍沿用音符、节奏等组成音乐的基础元素。随着时代的变迁,美学评论家认为真正前卫的现代音乐不应受到任何音乐元素的束缚,而直接进行音乐的处理与表现。本文从美学的历史与欣赏范畴出发,阐述传统与前卫现代主义音乐作曲家音乐风格的变化及音乐形式上的颠覆。
The musicians who appeared in the late Romantic stage of traditional modernist music began to create musical compositions that were out of the classical music form. The creation of music no longer adopts a specific musical form structure, but still follows the basic elements of music such as notes and rhythms . With the change of times, aesthetic critics think that truly avant-garde modern music should not be bound by any musical elements, but directly deal with and performance of music. Starting from the category of history and appreciation of aesthetics, this article elaborates the changes of music style and subversion of music style of traditional and avant-garde modernist music composers.