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在中国书画史上,吴昌硕是一个通过写通《石鼓文》一碑而成就个人艺术风貌的特例。对于《石鼓文》,吴昌硕一生临习不辍;他临习《石鼓文》实际上是寻找其艺术风格转换契机的一个过程;在此过程中,对《石鼓文》的临习为其书法、绘画风格的成熟奠定了重要基础。《石鼓文》是经郭沫若、唐兰等众多专家学者的考证,大家一致认为其为先秦时期的刻石,是记述秦国国君游猎活动的文字,故亦称“猎碣”。唐初在陈仓石鼓山(今宝鸡市石嘴头附近)被发
In the history of Chinese painting and calligraphy, Wu Changshuo is a special case of personal artistic style through writing a tablet of “Stone Drum”. For “Shiguwen”, Wuchang Shuo’s lifetime practice stopped; his practice of “Shiguwen” is actually a process of searching for the turning point of his artistic style; in this process, the study of “Shiguwen” is his calligraphy, painting style Mature laid an important foundation. “Stone Drum” by Guo Moruo, Tang Lan and many other experts and scholars research, we all agreed that it is the pre-Qin period stone, is a record of the Qin Guo Jun hunting activities of the text, it is also known as “hunting 碣.” Early Tang Chen Shigu Shan (now Shijiazui, Baoji City, near) was sent