一件图纹石,石体形态饱满,品相好,纹样反差大,图形形态为塑造主题明确的形象提供了充分的条件。而图形在石面所处的位置并不十分理想,原石条件优点突出,缺陷明显。那么,在不改变原石的自然原生条件下,通过立意和台座设计的创作手段,能在多大程度上把石头“救”过来呢? A pattern stone, full of stone body shape, good quality, pattern contrast, graphic shape to create a clear theme of the image provides sufficient conditions. The graphics in the stone surface where the location is not very satisfactory, the advantages of rough conditions highlight the obvious defects. So, without changing the original natural conditions of the original stone, through the means of conception and pedestal design creation, to what extent can stone “save” come from?