徐宏图先生的新著《浙江昆剧史》,日前已由中国社会科学出版社出版,全书32万字。这是作者继《南戏遗存考论》之后的又一部力作,是作者长达二十多年田野调查的结晶。昆剧集中国古典戏曲精华之大成,自元末明初于江苏昆山诞生之后,尤其是嘉靖年间经过魏良辅等人的改革把昆山腔打磨成“水磨调”以后,昆曲走出了吴中。当梁辰鱼等把昆曲用到传奇演唱以后,昆剧就大踏步地走向全国,由于昆曲超强的艺术魅力,终于形成“四方歌者皆宗吴门”的局面。 Mr. Xu Hongtu new “History of Zhejiang Kunqu Opera”, has recently been published by China Social Sciences Publishing House, the book 32 words. This is the author after the “test of the remains of South play after another masterpiece, is the author of more than two decades of fieldwork crystallization. After the birth of Kunshan in Jiangsu Province at the end of the Yuan Dynasty and the Ming Dynasty, especially after the reformation of Wei Liangfu and others in Jiajing County, Kunqu Opera got out of Wuzhong after the Kunshan Cavity was polished into water polish. When Liang Chenyu used the legendary singing of Kunqu Opera, Kunqu Opera made great strides toward the whole country. Due to the superb artistic charm of Kunqu Opera, the situation of ”Wu Fang Sang Quan" was finally formed.