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“十七年”的东北工业小说记录了那个时代工人对新生活、新环境、新身份掩饰不住的喜悦与感激,以及由此演化而来的激情与力量,塑造了置身新型社会隶属关系的工人群像,同时也映现出政治化潜在规范下的集体无意识言说和非科学、非理性行为,显示出某种强烈的意图性。当作者在文本中镶嵌意指以套用生活时,这些镶嵌进去的理念由于其抽象性,总是不可避免地与旨在造成小说真实性的文本组织发生矛盾,从而导致小说呈现出一种自我矛盾或缺乏真实性的状况,造成文本的自我解构。正是“十七年”东北工业小说的强烈意图性与艺术规律的碰撞从内部瓦解了这一文艺模式。
The northeast industrial novels of “Seventeen Years” recorded the joy and gratitude that workers can not conceal from the new life, new environment and new identity in that era, and the passion and strength evolved from the new generation. The relationship between the workers group image, but also reflects the politicized potential norms of collective unconscious speech and non-scientific, non-rational behavior, showing a strong intention. When the author inlaid the text to embed life, these inlaying ideas always inevitably contradict the text organization that aims to create the authenticity of the novel because of its abstractness. As a result, the novel presents a self-contradiction Or lack of authenticity, resulting in the self-deconstruction of the text. It is exactly the “17 years ” collision between the strong intention of northeast industrial novels and the law of art that has dismantled this literary mode internally.