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动作的痕迹看似简单却蕴含着对于生命的憧憬。在罗丹的艺术作品中不难发现:有面部的表情变化,肢体的动作变化,也有环境的运动变化。他的人物动作并不是孤立存在的,它总是包含在人的完整性活动之中,属于造型细节处理的一部分,从而创造出了雕像作品中波澜起伏的节奏变化和筋肉质感。他只是想最终体现姿态的倾向,不管这种倾向是自觉的还是不自觉的,是具体的还是抽象的,是感性的还是理性的,总能赋予雕像一定的社会性。
The traces of the action seem simple but contains the vision of life. It is not difficult to find out in Rodin’s works of art that facial expressions change, movements of the body change, and changes in the environment. His character movements do not exist in isolation. They are always included in the integrity activities of human beings, and are part of the processing of the details of the shapes, thus creating the ups and downs of the rhythm and the texture of the muscles in the works of statues. He just wants to finally show the tendency of attitude, whether it is conscious or unconscious, concrete or abstract, sensual or rational, and always gives the statues a certain social character.