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辛亥之后,文学的主题从关注国族社稷转向瞩目世态人情,引发了民初通俗文学尤其是写情小说的一时繁兴。爱情的“发现”是民初小说意义重估的重要关目之一,其“哀情”的主题在思想层面上具有开风气之先的作用。苏曼殊“和尚恋爱”的主题更包含着原生之家、社群之家以及个体之家之间的伦理失措,包含着灵与肉争夺在世支配权的隐喻,也包含着个体自由对宗法体系和佛法戒条等规训机制的反叛。正是这种“爱情”书写对“自我”意义的发现,使民初小说体现了现代启蒙意识复杂的景观,也提示我们有必要重新发掘辛亥前后的文学分别以怎样的思想和形态成为现代转型话语资源的一部分。
After the reign of 1911, the theme of literature shifted from focusing on the nationality of Sajikistan to paying attention to the worldly human feelings, triggering a temporary boom in popular literature in the early Republic of China, especially in romance novels. The “discovery” of love is one of the most important points in the revaluation of the novels of the early Republic of China. The theme of “grief” has the preconceived notion of ideology. The theme of Su Manshu “The Love of a Monk ” also contains the ethical imperialism between the native house, the community house and the individual home, which contains the metaphorical metaphor for the dominance of the soul and the flesh in the world, as well as the individual freedom System and the disciplines of Buddhism and other disciplines rebel. It is this discovery of “love” writing on the meaning of “self” that makes the novels of the early Republic reflect the complex landscape of the enlightenment consciousness of modern times, and also suggests that it is necessary for us to re-discover what kind of thoughts Morphology has become part of modern transformation discourse resources.