当今书坛,张旭光先生无疑是一位极具大家气象的书家。书法一道,源远流长,晋人尚韵,唐人重法,宋元在意,明清寄兴,而自清之乾嘉年间,考古日兴,碑学迭起,帖学渐次沦落、失位、生意凌迟而为附庸,碑日进而帖愈退,皇皇书坛,遂成碑学笼罩、独大之势,以致今日,碑学弥漫,唯造型是取,摒弃笔法,追奇逐丑,曲意风格而至于笔乱墨猪,体式僵硬,尾大不掉,更有末途之困。先生不胜其愤,苦心帖学,在学界不断反思碑学与重构帖学的学理化转换中,始终矗立时代潮头,大声疾呼, Today’s calligraphy, Mr. Zhang Xuguang is undoubtedly a very book writer. Calligraphy, a long history, the people are still rhyme, the Tang heavy law, the Song and Yuan Dynasties care, Ming and Qing send Xing, and since the Qing and Jiaxian years, archeology Nikko, Begins repeatedly, posts gradually reduced, dislocation, business Ling late As the vassals, and then retreat on the tablet day, the imperial book of calligraphy, became a monument to cover, the trend of dominance, so today, the monument is filled with style, the only style is to take, abandon writing, chasing odd by ugly, Pen indiscriminately ink pig, body stiff, not big tail, more sleepy end. Mr. angry, painstakingly learn, in the academic community continue to reflect on the theory and the transformation of Tieshi learning transformation, always stands the forefront of the times, shouting,