书法艺术自乾隆以降,对书家的文字学修养要求日高,这种取向,若追溯其来由,起码可以上溯到唐代的开元时期,那时李阳冰校刊的许慎《说文解字》开始流行,而李氏本人正是一位书法家,他得笔于李斯《峄山碑》并自成一格,获得了“笔虎”的美誉,后世从学者甚多。徐铉说:“李阳冰篆迹殊绝,独冠古今,自云‘斯翁之后直至小生’,此言为不妄矣。”多年前,我们曾撰文讨论过伊墨卿秉绶先生的金石学修养,但对于他的文字学工夫则未暇涉及,只提到他在嘉庆元年(1796)为文字学大师桂馥的《缪篆分韵》手书一卷付梓之事。现 Calligraphy art from Qianlong to drop, calligraphist literary cultivation demanding day, this orientation, if traced back, at least can be traced back to the Kaiyuan era of the Tang Dynasty, when Xu Yang Xu Bing, “Explain Word” Began to pop, and Lee himself is a calligrapher, he had written in Lisi “Shan monument” and a piece of itself, won the “pen tiger” in the world, many scholars from the future generations. Xu Xuan said: “Li Yangbing deserved special, monopoly ancient and modern, since the cloud ’Sion until after the niche’, the remark is not improper. ” Years ago, we have written about Mr. Yi Mo Qing Bing Shou’s The gemmological education, but for his literary time is not involved, only to mention him in the first year of Jiaqing (1796) for the literary masters Gui Fu’s “Miao Zhuan Yun” handwritten scroll affair. Now