论文部分内容阅读
由于早期西方艺术传播的相关影响,使得中国最初的艺术实践者们在对其接受、和相关实践之中,都呈现出某种个人化或群体性的选择和倾向,从而形成了一定程度上的相关分层。而在从写实和印象派面貌过渡到野兽风相关实践的倾向中,呈现出从前期局部的尝试,进入到更主动地把后期印象派风格与野兽派风格加以积极融合的趋势。而在一九二九年二月至一九三一年九月间,以及一九三三年十一月至一九三五年六月间,作为中国早期美术教育的
Due to the related influence of early Western art communication, the first Chinese art practitioners showed some personal or group choices and tendencies in their acceptance and practice, and thus formed a certain degree of Relevant stratification. However, from the tendency of the transition from realism and impressionism to beast-related practice of beasts, there is a tendency of partial attempts from earlier periods to a more active fusion of post-Impressionist style and Fauvism style. From February 1929 to September 1931, and from November 1933 to June 1935, as the early Chinese art education