作为一拨背井离乡来北京寻找梦想或等待被虐的年轻人,编辑部每位同事的身上,都可以被轻易地挤压出一些符合“外省青年”的典型特征来一搬家租房租房搬家、挤挤更健康的公交和地铁、来回跳跃于朝九晚五和朝不保夕天平间的莫名慌张等一在文学化的理想叙述中,我们总是会不自觉地将自己定位到一个略带悲情的文艺角色里,似乎只有这样才会让蒙尘的理想,在难辨方向的眼下焕发出照亮未来的迷人光彩。 As a group of young people who came to Beijing to look for their dreams or wait for abuses, every colleague in the editorial department can easily squeeze out some of the typical features in line with the “provincial youth” to move a rented rented moving house, squeeze Squeeze healthier buses and subways, jump back and forth between inexplicable apprehensions of nine and five nights and precarious daybooks, etc. In an idealized literary narrative, we always unconsciously locate ourselves as a slightly tragic literary figure It seems that the only way to make the dream of dusting a glorious future brighter in the difficult direction.