我是个导演,新近干了一出小剧场戏剧,这 便是我的出发点、我的视角、也是这篇短文的参 照系。 1 小剧场戏剧的重要特征是它的非主流性与非正统性——着眼于意识形态的反叛与戏剧观念的反叛。这一国际通行的观念与我国近年来纷纷呈现的小剧场戏剧颇有距离。 纵观这十年间中国小剧场戏剧的发展与演变(二、三十年代的不论),初期(八十年代初)的作品 I am a director, I recently did a small theater drama, this is my starting point, my point of view, but also the reference frame of this essay. A Small Theater The important feature of theater drama is its non-mainstreamness and its orthodoxy - focusing on the rebellion of ideology and the rebellion of the notion of drama. This internationally accepted concept is quite far from the small theater plays that China has shown in recent years. Throughout this decade, the development and evolution of theater plays in China in the past decade (regardless of the 1920s and 1930s) and early stage (early 1980s) works