“运墨而五色具”之说,见于唐代张彦远《历代名画记·论画体工用拓写·论用墨》:“夫阴阳陶蒸,万象错布,玄化亡言,神工独运。草木敷荣,不待丹碌之采;云雪飘飏,不待铅粉而白;山不待空青而翠;风不待五色而綵(彩)。是故运墨而五色具,谓之得意。意在五色,则物象乖矣。”此语大意为:阴阳冲荡变化,则万象错杂,此中造化,惟神思方可得之。绘事要在得物象之意,如此则墨色 “Movement of the ink and colored with ”, said in the Tang Dynasty, Zhang Yanyuan “famous paintings in the history of painting on the body with the extension of written on the ink”: “husband yin and yang steamed, Vientiane wrong cloth, The mountains are not to be empty and green; the wind does not wait for the color and color (color) .It is why the transport of the ink and the five colors, That the proud .Is intended for five-color, the image is good. ”The meaning of the phrase: Ying and Yang change, the Vientiane miscellaneous complex, which made of good fortune, but God thought only available. To paint things in the meaning of things, so ink