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墓志之文,盖统括墓志铭、墓志、墓铭而言之。此一文体肇源于汉碑,又合其他墓葬器物的特点而逐渐定型,兴于魏晋南北朝,大盛于隋唐。由于是记人事迹德行,故与史传、箴铭的关系十分密切。汉魏以来,多有佳妙之作,然而大多数仍属“铺排郡望,藻饰官阶”的颂扬性文字~①,而且行文缺少变化,袭用套语典故,故有千篇一律的讥评。人唐之后,随着撰志作者队伍的扩大,文人们力求在既定的传统框架中创新变革,特别是古文运动的渐次展开,为墓志一类的应用文字注入了活力。前期如陈子昂、萧颖士、独孤及、梁肃等古文家已稍作变革,
Epitaph text, cover Epitaph, Epitaph, Tomb Ming in terms of. This style originated in the Han tablet, but also with the characteristics of other grave artifacts and gradually stereotypes, Hing in the Wei, Jin and Northern and Southern Dynasties, Dasheng in the Sui and Tang Dynasties. Because it is recorded in human morality, it is very close to the relationship between history and pro-ming. Since the Han and Wei dynasties, there are many wonderful works, but most of them still belonged to the praising literature of “arranging the streets and overlooking the mountains and the decoration of the royal family”, and there was no change in the style of writing. After the Tang dynasty, with the expansion of the writers’ authoress, the literati sought to innovate and innovate in the established traditional framework. In particular, the gradual commencement of the classical prose movement injected vitality into the application texts of the epitaphs. Early prophase like Chen Ziang, Xiao Yingshi, Tokgo and Liang Su and other ancient writers have made some changes,