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当代中国青春片以数量多和票房高在中国市场格局中占据重要位置。在类型化的表象之下,新世纪中国青春片在精神向度上呈现出不同的风貌。《我的青春期》呈现出妥协后的浮泛,《夏洛特烦恼》以浮华生活千疮百孔的谵妄为现实烦恼人生的合理性提供支撑,《港囧》拒绝为自我选择承担责任从而暴露了青春软骨症,《滚蛋吧!肿瘤君》走向规避现实的媚俗之旅。电影均体现了当下消费社会语境下的美学形态,重奇观轻叙事,尊本能欲望抑人文情怀。实现从热点向亮点的转变,当代中国青春片需要提升自己的创作质量,尤其是升华作品的精神诉求。
Contemporary Chinese youth films occupy an important position in the market structure of China with a large number of films and a high box office. Under the appearance of genre, the Chinese youth film in the new century presents a different style in spiritual orientation. “My adolescence” showed a floating after the compromise. “Charlotte’s troubles” supported the ridiculous delirium of the flashy life to provide the support for the rationality of real life-worries, and “Hong Kong 囧” refused to take the responsibility for self-selection and thus exposed Chondritis, “get out! Tumor Jun” to avoid the reality of kitsch trip. All the films embody the aesthetics in the current context of consumer society, emphasizing spectacle and light narration, respecting instinctual desires and suppressing humanistic feelings. To achieve the shift from the hot spot to the bright spot, contemporary Chinese youth films need to improve their quality of creation, especially the spiritual appeal of sublimation works.