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20世纪70年代末,西方“后”学文学批评流派以其独特的视角和发人深省的理论与实践颠覆了美国黑人女性“他者”和“边缘”角色。艾丽丝·沃克的黑人女性主义作为身份与边缘写作批评的先声开始了真正意义上的美国黑人女性主义文学与批评。黑人女性主义文学的产生与发展彻底地改变了人们的深层思维方式和认知模式,加深了人们对边缘文学、身份写作和美国黑人女性主义文学的理解、认识与探究。
In the late 1970s, western literary critics of “post” literary criticism subverted the roles of “other” and “marginal” black women in their unique perspectives and thought-provoking theories and practices. Alice Walker’s black feminism as the forerunner of identity and marginal writing criticism started the real sense of African American feminist literature and criticism. The emergence and development of black feminist literature completely changed people’s deep thinking and cognitive modes and deepened their understanding, understanding and exploration of marginal literature, identity writing and Afro-American feminist literature.