戏剧观念的革新,已成为戏剧“危机”中普遍关注的问题。我觉得,新的戏剧观念的产生,在于从根本上对传统的戏剧观念,加以全面的反思,从戏剧艺术自身的规律出发,重新作出较科学的结论,并得到较普遍的认同,才有可能确立起来。这就不是某一个人的力量所能做到的,必须戏剧界的同行,甚至全社会的共同努力,才能够完成。 The innovation of the concept of drama has become a common concern in the drama “crisis”. I think that the emergence of a new concept of drama consists in fundamentally reflecting on the traditional concept of drama and proceeding from the laws of the theater itself to making more scientific conclusions and gaining more general approval. Set up. This can not be achieved by the strength of one individual. Only through the joint efforts of the theater industry and even the whole society can we accomplish it.