杜甫(七一二——七七○)是伟大的诗人,同时也是一位于多种艺术都卓有见地的人。杜甫一生接触了众多的艺术家,以自己的博学和多识,把诗歌的触角广泛地伸入诗艺、绘画、音乐、舞蹈和书法等艺术领域。本文试图就杜甫论书诗(句)及其艺术思想作一研究探讨。一 “论书诗”一般是指把论述书史书艺、品评书家书迹作为创作题材的诗歌。唐代的诗歌和书法都达到了无可比拟的高峰,论书诗也极一时之盛,仅《全唐诗》中就存有一百多首。唐代论书诗在内容上多紧紧围绕着继承传统书风和推崇创新书风而抒发诗人各自的艺术见识、情怀,渗透着这一代人的心理特征和文化价值观念,是一个时代和民族的性情的表现,是时代“精神气候”的样相。 Du Fu (712-1270) is a great poet and a man of many different cultures. Throughout his life, Du Fu contacted many artists and extensively expanded his tentacles of poetry into art fields such as poetry, painting, music, dance and calligraphy with his own knowledge and knowledge. This article attempts to make a research on Du Fu’s poem (sentence) and his artistic thought. A “On the poem ” generally refers to the book history book art, storytelling book writer as the theme of poetry. Tang Dynasty poetry and calligraphy have reached an unparalleled peak, the book of poetry is also very instantaneous, only “full Tang poetry” there are more than 100 first. In the content of the Tang Dynasty poem poetry closely around the inheritance of traditional style of writing and advocating innovative style of writing to express poet’s artistic knowledge, feelings, infiltration of the psychological characteristics and cultural values ​​of this generation is a time and nation The performance of the temperament, is the era “spiritual climate ” kind.