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中国民族民间舞在劳动人民长期的生产实践中形成发展,不管是精神面貌还是动作语汇无不体现出民族文化的深厚和民族智慧的结晶。民族民间舞的创作也由最初的原始状态发展为更丰富更新颖的舞台形式,有积极的意义同时也存在一些争议,所以对当代民族民间舞的创作的定位不仅是对传统民族民间舞的反思也是对多元发展的舞蹈创作形式的探索。本文从个性化的创作思维,传承与创新结合的创作原则以及坚守民族文化的创作理念三个方面论述当代民族民间创作的定位,以期为日后的民族民间舞创作提供现实性的借鉴思路。
The development of the Chinese national folk dance in the long-term productive practice of the working people shows that both the spiritual outlook and the action vocabulary all reflect the profound national culture and the crystallization of national wisdom. The creation of ethnic folk dance has also evolved from initial primitive state to richer and more innovative stage form, which has positive significance and some controversies at the same time. Therefore, the orientation to the creation of contemporary folk dance is not only the reflection on the traditional national folk dance It is also an exploration of the diversified forms of dance creation. This article elaborates the orientation of contemporary folk creations from three aspects: the individual creative thinking, the creative principle of inheritance and innovation, and the creative concept of adhering to the national culture, in order to provide realistic reference for future folk dance creation.