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40年代中国特殊的战争背景使中国的女性文学主流走上了一条在取材与主题上都与男性文学趋同的道路,女性作家的创作也不同程度地出现了女性意识淡化或女性书写雄化、无性化的倾向。但是,她们追寻“五四”先驱的脚印,创作了一批富于“性别批判”内涵的文本。尽管在强大的民族国家语境中,她们的创作只能处于边缘位置,甚至受到一些不公平的待遇,但她们的存在毕竟丰富了文学的发展,为女性解放和女性文学的进步做出了独特的贡献。
In the 1940s, the special war background in China brought the mainstream of Chinese female literature onto the path of converging with male literature on the basis of both material and subject. The creation of female writers also appeared to some extent, the decline of female consciousness or the writing of women, The tendency of However, they pursued the footsteps of the “May Fourth” pioneers and created a series of texts rich in “gender criticism.” Although their creations can only be marginalized and even unfairly treated in the context of a strong nation-state, their existence has enriched the development of literature, and made a unique contribution to the liberation of women and the progress of women’s literature Contributions.