就色彩的功能而言,它是绘画语言中最基本、最活跃,而且最具冲击力的要素,但是,中国画自“水墨”样式出现以后,它对色彩的渴求似乎显得不怎么强烈、主动,以致曾以色彩取胜的工笔重彩画屈居从属地位。这种对色彩视觉功能的淡化,极大地影响了中国画的发展,并招致后来许多我对中国画的报怨和责 As far as the function of color is concerned, it is the most basic, the most active and the most influential element in the painting language. However, since the emergence of the “Ink and Wash” style of Chinese painting, its desire for color does not seem to be strong enough. Take the initiative, so that the color strokes that once won by color came to a subordinate position. This desalination of color vision has greatly affected the development of Chinese painting and has led to many later resentment and blame on Chinese painting