“中国美术界的原子弹”——始创于1965年的泥塑《收租院》,在诞生之时的声誉与影响,足以用“爆炸性”来形容。1965年底,《收租院》首次进京,在中国美术馆展出,盛况绝非今日可以想象。“每天将近一万人涌入展厅,累计有300万人登记参观,七八个国家的大使馆要求去他们的国家展览。”主 “The Atomic Bomb in the Chinese Fine Art Circumstances” - The reputation and influence of the “plastic house” that was founded in 1965 at the time of its birth was enough to describe it as “explosive”. The end of 1965, “Rent Court” for the first time to Beijing, exhibited in the China Art Museum, the grand occasion can not imagine today. “Every day, nearly 10,000 people are pouring into the exhibition halls, and a total of 3 million people are registered to visit. The embassies in 78 countries ask for their national exhibitions.”