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无论建筑、服装、产品、家具,还是我们熟知的室内设计领域,设计师们对各种材料在作品中的平衡融合和艺术表达,可谓乐此不彼。如日本著名建筑师安藤忠雄用清水混凝土材料建造住宅和商业建筑,开创了一套独特、崭新的建筑风格;被称为“百料魔术师”的服装著名设计师三宅一生对布料的要求近乎苛刻,掰开、揉碎,再组合,形成惊人奇突的服装构造,从而开创了服装界的解构主义设计风格;再如荷兰先锋派Droog设计团队,在家具设计中细致地选择材料,用十分简洁、朴素的设计手法,带着对生活细节的个人要求,用诙谐、幽默的设计方式去打动使用者。如此种种,透过作品本身,我们可以清晰地看到设计师的思想轨迹以及他们对材料选择的缘由。
Regardless of architecture, clothing, products, furniture, or we are familiar with the field of interior design, designers of all kinds of materials in the works of the balance of fusion and artistic expression can be described as irrelevant. Such as the famous Japanese architect Tadao Ando built concrete and residential buildings with clean water, creating a unique, new architectural style; known as the “hundred magician” clothing designer Issey Miyake’s life requirements of the fabric almost Harsh, breaking apart, crumbling, and then combined to form a surprising odd clothing structure, which created a fashion industry deconstruction design style; another Dutch avant-garde Droog design team, in the furniture design carefully selected materials, with very Simple, simple design techniques, with personal details of life, with humorous, humorous design to impress users. In this way, through the work itself, we can clearly see the designer’s thought trajectory and their reason for the choice of materials.