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纳博科夫在叙事中对“内向本体僭越”情有独钟,其僭越技巧经历了初期作品中的模棱两可到后期作品中的自信张扬,僭越主体也从初期的作品中人物到叙述者代理人再到叙事者,直到后期作品中的作者本人。这一特殊的叙事方式使作品中上层叙事者或人物可以任意入侵内层叙事,而内层人物始终在上层叙事的掌控下处于被动状态。这种技巧方式完美地阐释了纳博科夫的人物塑造理念:“我作品中的人物都是我的囚徒。”
In the narrative, Nabokov has a special preference for the introvert ontology, whose tricks experienced the ambiguity in the initial works to the assertiveness in the later works, and from the characters in the early works to narrators Agent to narrator, until the author in the later works. This special way of narrating enables the upper storytelling person or person in the work to arbitrarily invade the inner story, while the inner figure is always passive under the control of the upper story. This tactic perfectly illustrates Nabokov’s philosophy of characterization: “The characters in my work are all my prisoners.” "