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把并不很复杂的情节写得引人入胜,需要本事。中央实验话剧院最近上演的喜剧《油漆未干》(法国勒内·福舒瓦原著,欧阳予倩译自英文改编本),就是这样一出戏。剧本是严格按照“三一律”写作的,构思巧妙,集中紧凑,生动有趣。全剧只有九个角色,时间是从上午九时到下午四时这样几个小时以内,事件完全发生在哈医生家中,三幕戏通用一堂“镜框式”的室内布景。导演欧阳山尊和文兴宇,看来是想有意识地充分保持原作固有的风格,很少使用现代较为行时的舞台技法,没有外加任何花哨的东西,朴素平易,毫不眩人眼目。若按照眼下某种较为流行的观点看来,这样的
It is fascinating to write an episode that is not too complicated. It is such a drama that the recent drama “The Paint Is Not Drunk” (original French Lene Fushourwat and Ouyang Yuqian translated from English) was recently staged by the Central Laboratory for Theater of Drama. The script is strictly in accordance with the “three laws” writing, cleverly conceived, concentrated compact, lively and interesting. The play has only nine characters, the time is from 9:00 am to 4:00 pm within a few hours, the incident took place entirely in the doctor’s home, the curtain of the three act together “picture frame” indoor scenery. Director Ouyang Shanzun and Wen Xingyu appear to want to consciously and fully maintain the inherent style of the original works. Rarely use the stage techniques of the modern time-honored works, without any fancy stuff, simple and easy, without dazzling eyes. If according to the moment a more popular point of view, so