在识字教学中,我们经常碰到一些字的偏旁或成分笔画变形。象“奇”和“奔”的上部同是一个“大”字,在奇中“大”字末笔变捺成点,而在奔中则不变点。那么,为什么发生这样的变化呢?为什么同是“大”字末笔,在“奇”中敛笔成点,而在“奔”字中就不敛笔呢?一般地说,这是由于字的笔画布局需要,亦即由字的间架所决定的。现就“点”“捺”变化问题谈两点体会。 一、变“捺”为“点” 捺在有些字中宜缩不宜伸,即要变“捺”为“点”。这样写的原因,实际上是为了少占地方,使字的布局趋于合理。归纳起来有 In literacy teaching, we often encounter some radical deviation of the word or composition strokes. Like the “odd” and “Ben” the upper part of the same is a “big” character, in the odd “big” at the end of the pen into a point of change, while the Pen is unchanged. Why, then, is such a change occurring? Why is it that the same “big” end of the pen, in the “odd” in the pen convergence point, and in the “Ben” The layout of the stroke needs, that is determined by the word frame. Now on the “point” “Na” changes to talk about two points of experience. First, change “Na” as “point” Na in some words should not shrink, that is to change “Na” as “point.” The reason for writing in this way is actually to make up less space and make the layout of the words tend to be reasonable. Have summed up