肖邦是19世纪浪漫主义时期最杰出的钢琴家,作曲家之一。他在1836年至1839年间创作的24首前奏曲Op.28,是把“前奏曲”作为独立体裁写作的第一人,打破了古典主义时期奏鸣曲为主流的局面。本文旨在研究肖邦《前奏曲》的第一首与第四首的创作特点,通过对和声、织体、节奏、曲式结构等方面的分析,探究肖邦前奏曲的创作风格。 Chopin is one of the most outstanding pianists and composers in the romantic period of the 19th century. His 24 prelude Op. 28, which he wrote between 1836 and 1839, was the first person to write “Prelude” as an independent genre, breaking the mainstream situation of the classic sonata. The purpose of this paper is to study the first and fourth creations of Chopin’s Prelude, and to explore the style of Chopin’s prelude by analyzing harmony, texture, rhythm and structure of the music.