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主题现实与虚幻奇幻超越小说《奇幻人生》(美国,2006年11月)一般来说,作家创作人物时都会有原型。鲁迅先生在《我怎样做起小说来》中曾说:“人物的模特儿也一样,没有专用过一个人,往往嘴在浙江,脸在北京,衣服在山西,是一个拼凑起来的角色。”可当一个作家发现,她笔下的人物不但在现实生活中与她的构思完全吻合地存在着,而且她的写作还能同步左右着那个人的命运:她让笔下人物倒霉,那人就会倒霉;她让笔下人物恋爱,
Thematic Reality and Illusory Fantasy Beyond the Novel Fantasy Life (USA, November 2006) In general, writers will have prototypes when they create characters. In his book, “How do I Start a Novel,” Mr. Lu Xun said: “The same is true for the character’s model. There is no one person dedicated to it. It often has its mouth in Zhejiang and its face in Beijing and its clothes in Shanxi. It is a patchwork role. ”When a writer finds out that the character in her pen does not only fit perfectly with her idea in real life, but also her writing can simultaneously affect the fate of that person: she makes the character under the pen bad, and the man Will be unlucky; she let the characters love,