“赵氏孤儿”的故事得益于其强烈的戏剧冲突和悲剧美感,历代剧作家对它的改编和重写几未间断。电影《赵氏孤儿》也是一次对经典戏剧的现代重构,本文意图将电影文本同元杂剧《赵氏孤儿大报仇》为代表的故事文本进行对比以分析电影改编的得失。纯粹的艺术复制是绝对不存在的,追求艺术的适时变化,自有其合理性,但是取舍和改编必须有其精准、理性的判断,才能永久地保持“赵氏孤儿”这个经典故事的感召力。 The story of “orphan” Thanks to its strong dramatic conflict and tragedy aesthetics, successive playwrights did not stop its adaptation and rewriting. The film “Orphan of Zhao” is also a modern reconstruction of the classical drama. This article attempts to compare the text of the film with the story text represented by the “Yuan Zhao” orphan “revenge” to analyze the pros and cons of film adaptation. Pure art reproduction is absolutely non-existent, pursuing the timely change of art and its own rationality, but the choice and adaptation must have precise and rational judgments so as to permanently maintain the classic story of “Orphan” Appeal.