建筑始终是时间的填充物,亦包含着文化符号的象征意味。1990年以后,我一直在观察和描绘建筑,当然是以画家的方式而非建筑师的立场。我之所以选择这个题材,是因为对“老房子”很感兴趣,老房子自身在视觉上有一种沉静、朴素之感,其结构、形式、木质和砖石的材质肌理都布满岁月流逝所留下的丰富痕迹。旧式建筑中的历史文化氛围传递出一种平和、沉静的气息,这些无不激起我以极大的热情去关注并用油画去表现它。传统民居,尤其是川西民居,一直是我油画表现的主要题材之一,这其中的一个重要原因是,我不希望看到这些老建筑逐渐消逝。建筑是凝固时间、穿透历史的艺术形式,而架上绘画与建筑一致,因其静止的物质状态衍生出时空的多重维度,如何在架上绘画中展现建筑超越时间的多重空间感,并 Architecture is always a filler of time, and symbolic of cultural symbols. After 1990, I have been observing and depicting architecture, of course, in an artist’s rather than an architect’s standpoint. The reason why I chose this theme is because I am very interested in “old house ”. The old house itself has a quiet, simple feeling visually. Its structure, form, texture of wood and masonry are all full of years The rich traces left by the passage. The historical and cultural atmosphere in the old buildings sends out a calm and quiet atmosphere, which arouses me with great enthusiasm to pay attention and use oil painting to express it. Traditional dwelling houses, especially those in western Sichuan, have always been one of the main themes of my oil painting performance. One of the important reasons for this is that I do not want to see these old buildings fade away. Architecture is the art of solidifying time and penetrating the history. The painting on the shelf is in line with the architecture. Because of the static state of matter, it derives the multiple dimensions of space and time. How to display the multi-sense of space beyond time in the frame painting?