本文所说的“剧诗” ,不是对戏曲艺术美学整体的概括 ,而是指戏曲文本中的唱词。剧诗的形成 ,是我们民族的传统文艺思维方式———诗化思维方式 ,对于传统戏曲文学进行规范和影响的结果。本文试图从两个方面对这一内容进行论述 :一、沿着“渐近人情”的轨迹 ,《诗经》之后的中 The “drama poem” mentioned in this essay is not a generalization of the whole art aesthetics of opera, but rather a libretto in opera texts. The formation of drama poetry is the result of our nation’s traditional way of thinking of literature and art - the poetic way of thinking and the norms and influences on traditional opera literature. This article attempts to discuss this content from two aspects: First, along the “asymptotic human” trajectory, after the “Book of Songs”