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中西方人类发展历程中逐渐形成的风格迥异的民俗、神话与生活智慧,则是使得园林的布局及其园林元素的创作异化进一步深化。雕塑几乎覆盖了整个欧洲园林营造史,是他们传统艺术观念的忠实体现。本文通过把园林艺术还原到宏观的艺术背景中去,通过从艺术观念的本源置换出中西方典型园林艺术的审美细胞与灵感形成的出处,进而完成中西方园林艺术差异的研究。为未来园林艺术中古典园林鉴赏提出了建设性助益;同时,作为一般艺术学的理论支持,也在艺术本体的宏观研究的后续研究中,提供一种可供选择的思路。
The folk customs, myths and wisdom of life, which have been gradually formed in the course of human development in both China and the West, make the layout of the gardens and the differentiation of their garden elements further deepened. Sculpture almost covers the entire European garden to create a history, is their faithful expression of the traditional concept of art. Through the reduction of garden art into the macroscopically artistic background, through the replacement of the origins of the aesthetic cell and inspiration of the typical Chinese and western garden art from the origin of the artistic concept, the research on the differences between Chinese and western garden art is completed. For the future garden art appreciation of classical gardens proposed a constructive aids; the same time, as a general art of theoretical support, but also in the study of the macro body of art in the follow-up study, to provide an alternative way of thinking.