上海译制片的同行中,近年来流传着一种说法——“还原”。这个“还原”论,若干年前只是在我厂创作人员中说说而已,很少有人把它当回事。随着社会上的译制单位与临时组合的译制班子的不断增多,“还原”论也迅速在这些单位与临时班子中流传开了,还有人竟把“还原”说成是译制片创作的最高原则、是译制艺术的最高成就,并在一些场合与媒体中宣扬。这就不得不引起人们关注与思考:译制片能“还原”吗?译制片的最高创作原则与艺术成就果真是“还原”吗? “还原”这个词,在《现代汉语词典》中释义为“事物恢复原状”。现在就让我们看看,译制片这个“事物”能不能“恢复原状”? 我们都知道,译制片是“从一种语言译成另一种 Shanghai counterparts in the film production, in recent years there is a saying circulating - “restore.” This “reduction” theory, just a few years ago, just talking about my factory creators only few people take it seriously. With the increasing number of translation units in the society and temporary combinations, the “reduction” theory quickly spread to these units and temporary groups, while others actually described “restoration” as the highest creation of translation films Principle, is the highest achievement of the art of translation, and in some occasions and the media to promote. This has to arouse people’s attention and reflection: Can the film be “restored”? The highest creative principle and artistic achievement of the film are really “reduction”? The word “reduction” is defined in the Dictionary of Modern Chinese For “things restitution”. Now let us see whether the translation of the “thing” can “restitution”? We all know that the translation is "from one language to another