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本文从和弦结构、调性观念、调式思维三个方面论述了二十世纪和声表现出来的观念与特征。20世纪的和声理论发展是对传统的继承与突破,形成了“量变”的积累到“质变”的飞跃,20世纪和声理论又在传统的基础之上进行了大胆的革新,是对传统的突破。
This essay elaborates the conceptions and characteristics of harmonic in twentieth century from three aspects of chord structure, tonality concept and mode thinking. The development of harmony theory in the 20th century is a succession and breakthrough to the tradition, forming a leap in the accumulation of “quantitative change” to “qualitative change”. In the 20th century, harmony theory was boldly renewed on the traditional basis , Is the traditional breakthrough.