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20世纪中国画发展无法回避的历史情境永远是中西文化的碰撞与交流。从高剑父、高奇峰“岭南画派”的折衷中西开始,到徐悲鸿、林风眠各不相同的中西融合,中国画伴随着西学观念与图式的不断“侵入”而获得发展。这种趋势,直至今日仍然是中国画谋求突破的重要途径与方式之一。读陈辉的水墨近作,其
The unavoidable historical situation of the development of Chinese painting in the 20th century will always be the collision and exchange of Chinese and Western cultures. From the eclectic Chinese and Western origins of Gao Jian-fu, Gao Qifeng and Lingnan School of Painting, to the integration of Chinese and Western cultures that are different from those of Xu Beihong and Lin Fengmian, Chinese painting has been developed with the continuous invasion of Western concepts and schemata. This trend, until today, is still one of the important ways and ways for Chinese paintings to seek a breakthrough. Read Chen Hui’s ink and wash, its