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近年来,舞台美术的概念化、雷同化、形式单一化,在舞台设计中普遍存在。有人把这种状况归咎于舞台美术创作受内容的制约造成的。为了突破这种束缚,曾纷纷提倡形式不应受内容制约,强调它的独立性,也有人为了“出彩”而冥思苦想,从中外资料堆里寻找新的模式。生搬硬抄、以“怪”取胜,致使观众难以接受。舞台美术要改革、要突破、要创新。这是时代赋予我们的使命,也是舞台美术工作者迫切需要解决的课题。
In recent years, the concept of stage art, assimilation, the form of a single, ubiquitous in the stage design. Some people attributed this situation to the stage art creation caused by the content constraints. In order to break through this bondage, one after another advocated that the form should not be subject to content constraints, emphasizing its independence, and that some people are trying hard to find out a new model from the information materials both at home and abroad. Born hard copy, with “strange ” to win, causing the audience unacceptable. Stage art to reform, to be a breakthrough, to innovation. This is the mission entrusted to us by the times. It is also an urgent task for stage art workers.