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以故事、事件为主要内容的叙事年画是民众喜闻乐见的民间叙事形式之一。本文以桃花坞木版年画中的叙事性图像为主要研究对象,探究桃花坞叙事年画在图像空间中展开时间并实现叙事的两种模式,即唤醒和交错,以及由此带来的热闹和超越的叙事风格,并揭示它的叙事模式和叙事风格与其存在的文化空间不可分割的联系,进而可知,叙事年画是地域族群共同的文化记忆和文化精神的外化图像。
The story of events, as the main content of the narrative New Year paintings is loved by the public one of the forms of folk narrative. This paper focuses on the narrative images in Taohuawu woodblock New Year pictures. It explores the two models of the Taohuawu narrative New Year pictures in the space of time and narrative, namely, awakening and staggering, and the bustling and surpassing Narrative style and reveals the inseparable connection between its narrative pattern and narrative style and its existing cultural space. Thus, the narrative New Year pictures are the externalized images of the common cultural memory and cultural spirit of the ethnic groups.